![]() ![]() This is not to imply, however, that Synthetic Cubism lacked conceptual rigor. The revolutionary practice of presenting mundane materials as fine art introduced a more relaxed and more playful aesthetic option for the artists involved.Synthetic Cubism is thought to have peaked by 1914 when World War One took many French artists (including Braque) away from their studios to fight in the conflict. To achieve its ends, Synthetic Cubism brought together - or "synthesized" - a variety of mixed media through collage and its signature papier collé technique. Synthetic Cubism embraced a broader palette, simpler geometric planes, and more representable subject matter too. Through experiments in collage using newspaper print and printed patterns, the Synthetic Cubists moved away from the multi-perspective (Analytic) approach in favor of "flattened out" images that all-but dispensed with their earlier allusions to three-dimensional space. Most scholars are agreed that the former covers a two-year period that ended around 1912 and by which time it had evolved into what became known as Synthetic Cubism. In an attempt to account for the most important advances in avant-garde art made by Pablo Picasso, Georges Braque and Juan Gris, historians have tended to split the Cubist movement into two key phases: Analytic Cubism and Synthetic Cubism. ![]()
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